Causality (p. 7)

In this page, Heidegger examines the idea of cause. To our surprise, causality actually has nothing to do with cause and effect. Rather, the four causes are equally co-responsible in production.

whence does it come that the causal character of the four causes is so unifiedly determined that they belong together?
So long as we do not allow ourselves to go into these questions, causality, and with it instrumentality, and with the latter the accepted definition of technology, remain obscure and groundless.
For a long time we have been accustomed to representing cause as that which brings something about. In this connection, to bring about means to obtain results, effects. The causa efficiens, but one among the four causes, sets the standard for all causality. This goes so far that we no longer even count the causa finalis, telic finality, as causality. Causa, casus, belongs to the verb cadere, “to fall,” and means that which brings it about that something falls out as a result in such and such a way. The doctrine of the four causes goes back to Aristotle. But everything that later ages seek in Greek thought under the conception and rubric “causality,” in the realm of Greek thought and for Greek thought per se has simply nothing at all to do with bringing about and effecting. What we call cause [Ursache] and the Romans call causa is called aition by the Greeks, that to which something else is indebted [das, was ein anderes verschuldet]. [5] The four causes are the ways, all belonging at once to each other, of being responsible for something else. An example can clarify this.
Silver is that out of which the silver chalice is made. As this matter (hyle), it is co-responsible for the chalice. The chalice is indebted to, i.e., owes thanks to, the silver for that out of which it consists. But the sacrificial vessel is indebted not only to the silver. As a chalice, that which is indebted to the silver appears in the aspect of a chalice and not in that of a brooch or a ring. Thus the sacrificial vessel is at the same time indebted to the aspect (eidos) of chaliceness. Both the silver into which the aspect is admitted as chalice and the aspect in which the silver appears are in their respective ways co-responsible for the sacrificial vessel.
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